PPublications

Coming to Terms with a Crisis: Cultural Engagements with COVID-19 (co-edited with Martin Butler, Sina Farzin, and Fabian Hempel). Biefeld: transcript Verlag. Open access.

The Gothic and Twenty-First-Century American Popular Culture (co-edited with Anna Marta Marini). Leiden: Brill.

Fantastic Cities: American Urban Spaces in Science Fiction, Fantasy, and Horror (co-edited with Stefan Rabitsch and Stefan L. Brandt). Jackson: University Press of Mississippi.

Intermedia Games—Games Inter Media: Video Games and Intermediality (co-edited with Jeff Thoss). New York: Bloomsbury Academic. Open access.

Space Oddities: Difference and Identity in the American City (co-edited with Stefan L. Brandt). Vienna: LIT Verlag. Open access.

ConFiguring America: Iconic Figures, Visuality, and the American Identity (co-edited with Klaus Rieser and Michael Phillips). Bristol: Intellect Books.
Placing America: American Culture and Its Spaces (co-edited with Maria-Theresia Holub). Bielefeld: transcript Verlag.

Landscapes of Postmodernity: Concepts and Paradigms of Critical Theory (co-edited with Petra Eckhard and Walter W. Höblling). Vienna: LIT Verlag. Open access.

Animals in the American Popular Imagination (co-edited with Anna Marta Marini). Comparative American Studies: An International Journal 21, nos. 1–2.

Beyond Petromodernity (co-edited with Francis Gene-Rowe and Stefan Rabitsch). Extrapolation 64, no. 1.
Digital America (co-edited with Stefan Rabitsch). JAAAS: Journal of the Austrian Association for American Studies 4, no. 2. Open access.
Human Generations and the Environmental Crisis in Literature, Film, and Other Media (co-edited with Roberta Maierhofer). English Literature: Theories, Interpretations, Contexts 10. Open access.

The American Entrepreneurial Spirit (co-edited with Roberta Maierhofer and Stefan Rabitsch). JAAAS: Journal of the Austrian Association for American Studies 3, no. 2. Open access.
Science and Popular Audio-Visual Media (co-edited with Martin Butler). AAA: Arbeiten aus Anglistik und Amerikanistik 47, no. 2. Open access.

Animals on American Television (co-edited with Stefan L. Brandt). European Journal of American Studies 13, no. 1. Open access.

“Atlantic Overflows: Bull Sharks, Inland Incursions, and Fictions of Containment.” Atlantic Studies: Global Currents. Online First.
“Stories of Disaster as Sites of Mitigation: Knowledge Production and Affective Engagement in the Narrativization of Nuclear Incidents in Different Media” (co-authored with Martin Butler, Sina Farzin, Anna-Katharina Hornidge, and Uwe Schimank). Minerva: A Review of Science, Learning and Policy. Online First.

“Affective Necropolitics, Procedural Necrorhetorics, and the US–Mexico Border in the Call of Duty Series.” ABC Journal: American, British and Canadian Studies 45: 47–71. Open Access.

“Necropolitics and Pandemic Premediation in The Fall’s Neo-Western State of Exception” (co-authored with Anna Marta Marini). The Comics Grid: Journal of Comics Scholarship 13. Open access.
“The Slow Apocalypse in The Low, Low Woods” (co-authored with Anna Marta Marini). English Literature: Theories, Interpretations, Contexts 10: 101–117. Open access.
“Videogames in Horror Movies: Remediation, Metalepsis, Interface Effects, and Fear of the Digital.” JAAAS: Journal of the Austrian Association for American Studies 4, no. 2: 242–267. Open access.

“Capturing the Shark: White (Eco-)Masculinity and the Pursuit of Science in the Docuseries Expedition Great White.” AAA: Arbeiten aus Anglistik und Amerikanistik 47, no. 2: 243–258. Open access.
“Creative Extinction: Serial Cycles of De-Extinction and Re-Extinction in Resurrection Business.” JAAAS: Journal of the Austrian Association for American Studies 3, no. 2: 281–297. Open access.
“The Disease Becomes the Host: Cattle Decapitation’s Pandemic Discourse from Song to Music Video” (co-authored with Anna Marta Marini). Popular Culture Review 33, no. 2: 77–112.
“‘I don’t need your help! Im a scientist!’ Biotechnology, Digital Visual Effects, and (the Lack of) Human Control of Life in Zoo.” New Horizons in English Studies 7: 101–115. Open access.
“‘A serious man vs. nature moment’ Aquatic Monsters, Deep Time, and Climate Change.” Popular Culture Review 33, no. 1: 103–136.

“PandemIcons? The Medical Scientist as Iconic Figure in Times of Crisis” (co-authored with Martin Butler and Sina Farzin). Configurations 29, no. 3: 435–451.
“Livin’ Da Dream? Playing Black, Illusions of Meritocracy, and Narrative Constraints in Sports Video Game Story Modes.” European Journal of American Studies 16, no. 3 (2021). Open access.

“Crushing Life in the Anthropocene? Destroying Simulated ‘Nature’ in The Cabin in the Woods.” CineJ: Cinema Journal 8, no. 2: 62–93. Open access.
“Going Where No White Man Has Gone Before: Monstrous Animals and the Disruption of Imperialist Fantasies.” AAA: Arbeiten aus Anglistik und Amerikanistik 45, no. 2: 197–215. Open access.

“‘Is this really all they had to worry about?’ Past, Present, and Future Hauntings in The Last of Us.” AAA: Arbeiten aus Anglistik und Amerikanistik 44, no. 1: 67–82. Open access.
“Vanishing Glaciers, the Becoming-Unextinct of Microorganisms, and Fathering a More-Than-Human World: Climate Change Horror in the Alps.” Fafnir: Nordic Journal of Science Fiction and Fantasy Research 6, no. 2: 11–24. Open access.

“All Teeth and Claws: Constructing Bears as Man-Eating Monsters in Television Documentaries.” European Journal of American Studies 13, no. 1. Open access.
“‘It’s only cannibalism if we’re equals’: Carnivorous Consumption and Liminality in Hannibal” (co-authored with Michael Phillips). Quarterly Review of Film and Video 35, no. 6: 614–629. Open access.
“Looking through the Beast’s Eyes? The Dialectics of Seeing the Monster and Being Seen by the Monster in Shark Horror Movies.” Mise-en-scène 3, no. 2: 3–17. Open access.
“Playing Serial Imperialists: The Failed Promises of BioWare’s Video Game Adventures” (co-authored with Vanessa Erat and Stefan Rabitsch). Journal of Popular Culture 51, no. 6: 1476–1499. Open access.
“Transgression – Identification – Interaction: Blu-Ray Bonus Features and Supernatural’s Cult Status.” Journal of Popular Television 6, no. 3: 303–322.

“Mark of the Auteur: Mark of the Devil’s Blu-Ray Release and the Cult of Authorship.” Cine-Excess, no. 3: 131–148. Open access.

“When Dinosaurs Ruled the Earth? Digital Animals, Simulation, and the Return of ‘Real Nature’ in the Jurassic Park Movies.” On_Culture: The Open Journal for the Study of Culture, no. 2. Open access.

“Cooking with Hannibal: Food, Liminality and Monstrosity in Hannibal.” European Journal of American Culture 34, no. 2: 97–112.

“The Great Arsenal of Democracy: Uncle Sam and American Exceptionalism at the End of the American Century.” AAA: Arbeiten aus Anglistik und Amerikanistik 39, no. 1: 43–69. Open access.
“‘It’s like Groundhog Day’: Remediation, Trauma, and Quantum Physics in Time Loop Narratives on Recent American Television.” GRAAT: An On-Line Journal of Anglophone Studies, no. 15: 93–113. Open access.

“‘A horror story that came true’: Metalepsis and the Horrors of Ontological Uncertainty in Alan Wake.” Monsters & the Monstrous 3, no. 1: 95–107.

“Hauntings: Uncanny Doubling in Alan Wake and Supernatural.” Textus: English Studies in Italy 25, no. 3: 63–74.

“@Night @Home: YouTubifying Late-Night Television During the Early Stages of the Covid-19 Pandemic” (co-authored with Martin Butler). In Covid-19 in Film and Television: Watching the Pandemic, edited by Verena Bernardi, Amanda D. Giammanco, and Heike Mißler. New York: Routledge, 60–74.
“Depicting SARS-CoV-2: A Weird Icon of (and for) the Anthropocene” (co-authored with Martin Butler). In Coming to Terms with a Crisis: Cultural Engagements with COVID-19, edited by Martin Butler, Sina Farzin, Michael Fuchs, and Fabian Hempel. Bielefeld: transcript Verlag, 39–59. Open access.
“Alpine Winter Tourism, Global Warming, and Viral Outbreaks: Re-Watching Attack of the Lederhosen Zombies During the Covid-19 Pandemic.” In The Post-Zombie: The Current and Future State of the Walking Dead, edited by C. Wylie Lenz, Angela Tenga, and Kyle William Bishop. Jefferson: McFarland, 36–47.
“Film, Memory, and Intermediality: Exploring the Andes in La cordillera de los sueños (2019)” (co-authored with Anna Marta Marini). In Global Mountain Cinema, edited by Christian Quendler, Caroline Schaumann, and Kamaal Haque. Edinburgh: Edinburgh University Press, 243–260. Open access.

“Nuclear Pasts and Environmental Futures: Radioactivity and Gothic Materiality in the Television Series Chernobyl” (co-authored with Martin Butler). In The Gothic and Twenty-First-Century American Popular Culture, edited by Anna Marta Marini and Michael Fuchs. Leiden: Brill, 156–171.
“The Vertical Dimension of the American West: Mining and the Media Archaeology of Navajo Land” (co-authored with Christian Quendler). In Entanglements, Narratives, and the Environment: Inter-American Perspectives, edited by Nicole Haring, Roberta Maierhofer, and Eva Bauer. Lanham: Lexington Books, 117–137.

“Innocent Until Proven Guilty? Two Cinematic Portrayals of Johann ‘Jack’ Unterweger.” In Serial Killing on Screen: Adaptation, True Crime and Popular Culture, edited by Sarah E. Fanning and Claire O’Callaghan. Cham: Palgrave Macmillan, 189–213.

“De-Extinction: A Gothic Masternarrative for the Anthropocene.” In Dark Scenes from Damaged Earth: The Gothic Anthropocene, edited by Justin D. Edwards, Rune Graulund, and Johan Höglund. Minneapolis: University of Minnesota Press, 26–44. Open access.
“Imagining Digital Cities: Freedom and (Non-)Human Agency in Representations of Virtual Realities” (co-authored with Sarah Lahm). In Fantastic Cities: American Urban Spaces in Science Fiction, Fantasy, and Horror, edited by Stefan Rabitsch, Michael Fuchs, and Stefan L. Brandt. Jackson: University Press of Mississippi, 194–210.
“‘Out there hunting monsters’: Manifest Destiny, the Monstrosity of the American West, and the Gothic Character of American History” (co-authored with Stefan Rabitsch). In Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, edited by Dorian L. Alexander, Michael Goodrum, and Philip Smith. Jackson: University Press of Mississippi, 228–251.
“Pornography.” In The Routledge Handbook of Star Trek, edited by Leimar Garcia-Siino, Sabrina Mittermeier, and Stefan Rabitsch. New York: Routledge, 282–285.

“An Art Form That Honors Aesthetic and Taste: The Art of Murder and the Art of Television in Hannibal.” In Hannibal for Dinner: Essays on America’s Favorite Cannibal on Television, edited by Kyle A. Moody and Nicholas A. Yanes. Jefferson: McFarland, 278–298.
“Playing (with) the Nonhuman: The Animal Avatar in Bear Simulator.” In Outside the Anthropologcial Machine: Crossing the Human–Animal Divide and Other Exit Strategies, edited by Chiara Mengozzi. New York: Routledge, 261–274.

“Imagining the Becoming-Unextinct of Megalodon: Spectral Animals, Digital Resurrection, and the Vanishing of the Human.” In Gothic Animals: Uncanny Otherness and the Animal With-Out, edited by Ruth Heholt and Melissa Edmundson. Cham: Palgrave Macmillan, 107–123.
“Redefining the Heimat: Austrian Horror Cinema and the ‘Home’ in a Global Age.” In Dark Forces at Work: Essays on Social Dynamics and Cinematic Horrors, edited by Cynthia J. Miller and A. Bowdoin Van Riper. Lanham: Lexington Books, 33–51.
“Telling Stories about Dying (Out): Thomas Pynchon’s Global Novels and the Anthropocene Extinction.” In Fiction and the Sixth Mass Extinction: Narrative in an Era of Loss, edited by Jonathan Elmore. Lanham: Lexington Books, 13–29.
“‘Things Are Not as They Seem’: Colonialism, Capitalism and Neo-Victorian London in The Order: 1886.” In The New Urban Gothic: Global Gothic in the Anthropocene, edited by Holly-Gale Millette and Ruth Heholt. Cham: Palgrave Macmillan, 41–56.
“When the Forest Is Not Quite What It Seems to Be: The Simulacral Spaces of ‘Nature’ in The Cabin in the Woods.” In Madness in the Woods: Representations of the Ecological Uncanny, edited by Tina-Karen Pusse, Heike Schwarz, and Rebecca Downes. New York: Peter Lang, 199–217.

“The Birth of the SF Franchise” (co-authored with Stefan Rabitsch). In The Cambridge History of Science Fiction, edited by Gerry Canavan and Eric Carl Link. New York: Cambridge University Press, 481–501.
“Dad Rising? Playing the Father in Post-Apocalyptic Survival Horror Games” (co-authored with Klaus Rieser). In Gender in Contemporary Horror: Comics, Games and Transmedia, edited by Steven Gerrard, Samantha Holands, and Robert Shail. Bingley: Emerald Publishing, 69–80.
“‘Don’t Call Me Ash!’ Success, the Bruce Campbell Way” (co-authored with Michael Phillips). In The Many Lives of The Evil Dead: Essays on the Cult Film Franchise, edited by Ron Riekki and Jeffrey A. Sartain. Jefferson: McFarland, 94–109.
“The End is Nigh—Bring Forth the Shepard! Mass Effect, the Apocalypse, and the Puritan Imagination” (co-authored with Michael Phillips and Stefan Rabitsch). In Playing the Field: Video Games and American Studies, edited by Sascha Pöhlmann. Berlin: Walter de Gruyter, 35–48.
“‘I can’t believe this is happening!’ Bear Horror, the Species Divide, and the Canadian Fight for Survival in a Time of Climate Change.” In Canadian Science Fiction, Fantasy, and Horror: Bridging the Solitudes, edited by Amy J. Ransom and Dominick Grace. New York: Palgrave Macmillan, 257–273.

“Austro-Trash, Class and the Urban Environment: The Politics of Das Ding aus der Mur and Its Prequel.” In B-Movie Gothic: International Perspectives, edited by Justin D. Edwards and Johan Höglund. Edinburgh: Edinburgh University Press, 108–121.
“Becoming-Shark? Jaws Unleashed, the Animal Avatar and Popular Culture’s Eco-Politics.” In Beasts of the Deep: Sea Creatures and Popular Culture, edited by John Hackett and Seán Harrington. East Barnet: John Libbey, 173–184.
“Bioshock Infinite and Against the Day as Intermedia Twins: Exploring the American National Project.” In Beyond the Sea: Navigating Bioshock, edited by Felan Parker and Jessica Aldred. Montreal: McGill-Queen’s University Press, 294–319.
“It’s a Monster Mash! Pastiche, Time, and the Return of the Victorian Age in Penny Dreadful.” In Horror Television in the Age of Consumption: Bringing on Fear, edited by Kimberly Jackson and Linda Belau. New York: Routledge, 148–160.
“Monstrous Writing—Writing Monsters: Authoring Manuscripts, Ontological Horror and Human Agency.” In Terrifying Texts: Essays on Books of Good and Evil in Horror Cinema, edited by Cynthia J. Miller and A. Bowdoin Van Riper. Jefferson: McFarland, 11–22.
“Of Roaches, Rats, and Man: Pest Species and Naturecultures in New York Horror Movies.” In Space Oddities: Difference and Identity in the American City, edited by Stefan L. Brandt and Michael Fuchs. Vienna: LIT Verlag, 179–200. Open access.
“‘Two Distinct Worlds’? Maintaining and Transgressing the Boundaries of the HumAnimal in Thomas Pynchon’s Mason & Dixon.” In Ecogothic in Nineteenth-Century American Literature, edited by Dawn Keetley and Matthew Wynn Sivils. New York: Routledge, 206–220.
“‘What if nature were trying to get back at us?’ Animals as Agents of Nature’s Revenge in Horror Cinema.” In American Revenge Narratives, edited by Kyle Wiggins. New York: Palgrave Macmillan, 177–206.

“Eat, Kill, ... Love? Courtship, Cannibalism, and Consumption in Hannibal” (co-authored with Michael Phillips). In What’s Eating You? Food and Horror on Screen, edited by Cynthia J. Miller and A. Bowdoin Van Riper. New York: Bloomsbury Academic, 205–219.
“Entirely Outside the Cultural? Das Monster als Brücke zwischen Natur und Kultur im US-amerikanischen Tierhorror.” In Kult-Horrorfilme, edited by Jörg Helbig, Angela Fabris, and Arno Fußegger. Marburg: Schüren-Verlag, 141–157.
“‘Is it beautiful? Or is it ugly?’ The Noir Tradition, Urban Affect, and the Monstrosity of Los Angeles in The Wizard of Gore.” In Urban Noir: New York and Los Angeles in Shadow and Light, edited by Cynthia J. Miller and James J. Ward. Lanham: Rowman & Littlefield, 143–154.
“Playing Good Cop ... or Bad Cop? Exploring Hyperreal Urban Spaces in L.A. Noire.” In A Dark California: Essays on Dystopian Depictions in Popular Culture, edited by Katarzyna Nowak-McNeice and Agata Zarzycka. Jefferson: McFarland, 37–49.

“A Different Kind of Monster: Uncanny Media and Alan Wake’s Textual Monstrosity.” (co-authored with Martin Butler). In Contemporary Research on Intertextuality and Video Games, edited by Christophe Duret and Christian-Marie Pons. Hershey: IGI Global, 39–53.
“‘I know everything that’s going to happen’: Supernatural’s Self-Reflexive Compulsion to Repeat (with a Difference).” In The Gothic Tradition in Supernatural: Essays on the Television Series, edited by Melissa Edmundson. Jefferson: McFarland, 63–74.
“Part of Our Cultural History: Fan-Creator Relationships, Restoration, and Appropriation” (co-authored with Michael Phillips). In A Galaxy Here and Now: Historical and Cultural Readings of Star Wars, edited by Peter W. Lee. Jefferson: McFarland, 208–237.

“‘They are a fact of life out here’: The Ecocritical Subtexts of Three Early-Twenty-First-Century Aussie Animal Horror Movies.” In Animal Horror Cinema: Genre, History and Criticism, edited by Katarina Gregersdotter, Nicklas Hållén, and Johan Höglund. Basingstoke: Palgrave Macmillan, 37–57.
“Woody Allen and the Absurdity of Human Existence: Origin, Legacy, and Human Agency in God and Mighty Aphrodite.” In Referentiality and the Films of Woody Allen, edited by Klara Stephanie Szlezák and Dianah E. Wynter. Basingstoke: Palgrave Macmillan, 100–117.

“‘Three hundred channels and nothing’s on’: Metaleptic Genre-Mixing in Supernatural.” In Critical Reflections on Audience and Narrativity: New Connections, New Perspectives, edited by Bianca Mitu, Silvia Branea, and Valentina Marinescu. Hanover: ibidem-Verlag, 35–48.

“The Black Hole at the Heart of America? Family, Spatiality, and the Black Hallway in House of Leaves.” In Placing America: American Culture and Its Spaces, edited by Michael Fuchs and Maria-Theresia Holub. Bielefeld: transcript Verlag, 103–125.
“LeBron James and the Web of Discourse: Iconic Sports Figures and Semantic Struggles” (co-authored with Michael Phillips). In ConFiguring America: Iconic Figures, Visuality, and the American Identity, edited by Klaus Rieser, Michael Fuchs, and Michael Phillips. Bristol: Intellect Books, 65–92.
“‘My name is Alan Wake. I’m a writer.’: Crafting Narrative Complexity in the Age of Transmedia Storytelling.” In Game On, Hollywood! Essays on the Intersection of Video Games and Cinema, edited by Gretchen Papazian and Joseph Michael Sommers. Jefferson: McFarland, 144–155.

“Evolution, Chaos und/oder Turn(s) im Horrorfilm: Natur- und formalwissenschaftliche Modelle im kulturwissenschaftlichen Diskurs.” In Kategorien zwischen Denkform, Analysewerkzeug und historischem Diskurs, edited by Elisabeth Fritz, Nils Kasper, Stefan Köchel, and Rita Rieger. Heidelberg: Universitätsverlag Winter, 177–193.
“Of Blitzkriege and Hardcore BDSM: Revisiting Nazi Sexploitation Camps.” In Nazisploitation: The Nazi Image in Low-Brow Film and Culture, edited by Elizabeth Bridges, Kristin T. Vander Lugt, and Daniel H. Magilow. New York: Continuum, 279–294.
“Play it Again, Sam ... and Dean: Temporality and Meta-Textuality in Supernatural.” In Time in Television Narrative: Exploring Temporality in Twenty-First-Century Programming, edited by Melissa Ames. Jackson: University Press of Mississippi, 82–94.

“Starring Porn: Metareference in Straight Pornographic Feature Films.” In The Metareferential Turn in Contemporary Arts and Media: Forms, Functions, Attempts at Explanation, edited by Werner Wolf, Katharina Bantleon, and Jeff Thoss. Amsterdam: Rodopi, 379–413.
“Trapped in TV Land: Encountering the Hyperreal in Supernatural.” In Simulation in Media and Culture: Believing the Hype, edited by Robin DeRosa. Lanham: Lexington Books, 47–55.

“A Horrific Welcome to the Desert of the Real: Simulacra, Simulations, and Postmodern Horror.” In Landscapes of Postmodernity: Concepts and Paradigms of Critical Theory, edited by Petra Eckhard, Michael Fuchs, and Walter W. Hölbling. Vienna: LIT Verlag, 71–90. Open access.
“Allegories of Playing: Spatial Practice in Computer Games.” In Landscapes of Postmodernity: Concepts and Paradigms of Critical Theory, edited by Petra Eckhard, Michael Fuchs, and Walter W. Hölbling. Vienna: LIT Verlag, 99–111. Open access.

“Coming to Terms with a Crisis: Introduction” (co-authored with Martin Butler, Sina Farzin, and Fabian Hempel). In Coming to Terms with a Crisis: Cultural Engagements with COVID-19, edited by Martin Butler, Sina Farzin, Michael Fuchs, and Fabian Hempel. Bielefeld: transcript Verlag, 9–19. Open access.

“Introduction” (co-authored with Anna Marta Marini). In The Gothic and Twenty-First-Century American Popular Culture, edited by Anna Marta Marini and Michael Fuchs. Leiden: Brill, 1–11.
“Animals in the American Imagination” (co-authored with Anna Marta Marini). Comparative American Studies: An International Journal 21, nos. 1–2: 1–12.

“Digital America: Introduction.” JAAAS: Journal of the Austrian Association for American Studies 4, no. 2: 215–211. Open access.
“Introduction: Human Generations and the Environmental Crisis in Literature, Film, and Other Media” (co-authored with Roberta Maierhofer). English Literature: Theories, Interpretations, Contexts, no. 10: 7–18. Open access.
“Introduction to the Special Section: Beyond Petromdernity” (co-authored with Francis Gene-Rowe and Stefan Rabitsch). Extrapolation 64, no. 1: 1–9.
“Ruined Cities.” Review of American Cities in Post-Apocalyptic Science Fiction, by Robert Yeates (UCL Press, 2021). Science Fiction Studies 50, no. 1: 129–133.

“The American Entrepreneurial Spirit: A Primer” (co-authored with Stefan Rabitsch). JAAAS: Journal of the Austrian Association for American Studies 3, no. 2: 199–211. Open access.
“The Anthropocene, Nature, and the Gothic.” Interview with Christy Tidwell. REDEN: Revista Española de Estudios Norteamericanos 3, no. 2: 100–112. Open access.
“Introduction” (co-authored with Stefan Rabitsch). In Fantastic Cities: American Urban Spaces in Science Fiction, Fantasy, and Horror, edited by Stefan Rabitsch, Michael Fuchs, and Stefan L. Brandt, 3–31. Jackson: University Press of Mississippi, 2022.
“Introduction: Science and Popular Audio-Visual Media” (co-authored with Martin Butler). AAA: Arbeiten aus Anglistik und Amerikanistik 47, no. 2: 171–189. Open access.
Review of Reimagining Dinosaurs in Late Victorian and Edwardian Literature: How the “Terrible Lizard” Became a Transatlantic Cultural Icon, by Richard Fallon (Cambridge University Press, 2021). AAA: Arbeiten aus Anglistik und Amerikanistik 47, no. 1 (2022): 153–158. Open access.
“Zombies and the American Gothic.” Interview with Kyle William Bishop. REDEN: Revista Española de Estudios Norteamericanos 3, no. 2 (2022): 129–144. Open Access.

Review of Capture: American Pursuits and the Making of the New Animal Condition, by Antoine Traisnel (University of Minnesota Press, 2020). Word and Text: A Journal of Literary Studies and Linguistics, no. 11: 203–208. Open access.
Review of Jordan Peele’s Get Out: Political Horror, edited by Dawn Keetley (Ohio State University Press, 2020). European Journal of American Culture 40, no. 3: 249–252.

“Editor’s Editorial.” JAAAS: Journal of the Austrian Association for American Studies 1, no. 1: v–vii. Open access.
“Intermedia Games—Games Inter Media: An Introduction” (co-authored with Jeff Thoss). In Intermedia Games—Games Inter Media: Video Games and Intermediality, edited by Michael Fuchs and Jeff Thoss. New York: Bloomsbury Academic, 1–11. Open access.
“Playing America: An Introduction to American Culture through Video Games” (with Stefan Rabitsch). Gamevironments, no. 11: 86–102. Open access.

“Animals on American Television: Introduction to the Special Issue” (co-authored with Stefan L. Brandt). European Journal of American Studies 13, no. 1. Open access.
“Space Oddities and American Cities” (co-authored with Stefan L. Brandt). In Space Oddities: Difference and Identity in the American City, edited by Stefan L. Brandt and Michael Fuchs. Vienna: LIT Verlag, 9–25. Open access.

“The Structurality of Poststructure” (co-authored with Walter W. Hölbling). In Landscapes of Postmodernity: Concepts & Paradigms of Critical Theory, edited by Petra Eckhard, Michael Fuchs, and Walter W. Hölbling. Vienna: LIT Verlag, 23–27. Open access.