Michael Fuchs
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Journal Articles

2020

"Crushing Life in the Anthropocene? Destroying Simulated 'Nature' in The Cabin in the Woods." CineJ: Cinema Journal 8, no. 2: 62-93. Available Open Access.

"Going Where No White Man Has Gone Before: Monstrous Animals and the Disruption of Imperialist Fantasies." Arbeiten aus Anglistik & Amerikanistik, 45, no. 2: 197-215.

2019

"''Is this really all they had to worry about?' Past, Present, and Future Hauntings in The Last of Us." Arbeiten aus Anglistik & Amerikanistik 44, no. 1: 67-82.

"Playing America: An Introduction to American Culture Through Video Games" (co-authored with Stefan Rabitsch). Gamevironments 11: 86-102. Available Open Access. *not peer-reviewed*

"Vanishing Glaciers, the Becoming-Unextinct of Microorganisms, and Fathering a More-Than-Human World: Climate Change Horror in the Alps." Fafnir: Nordic Journal of Science Fiction and Fantasy Research 6, no. 2: 11-24. Available Open Access.

2018

"All Teeth and Claws: Constructing Bears as Man-Eating Monsters in Television Documentaries." European Journal of American Studies 13, no. 1. Available Open Access.

"Animals on American Television: Introduction to the Special Issue" (co-authored with Stefan L. Brandt). European Journal of American Studies 13, no. 1. Available Open Access. *not peer-reviewed*

"'It's only cannibalism if we're equals': Carnivorous Consumption and Liminality in Hannibal" (co-authored with Michael Phillips). Quarterly Review of Film and Video 35, no. 6: 614-629. Available Open Access.
Reprinted in: Hannibal Lecter's Forms, Formulations, and Transformations: Cannibalising Form and Style. Ed. Jessica Balanzategui & Naja Later. London: Routledge, 2021.

"Looking through the Beast's Eyes? The Dialectics of Seeing the Monster and Being Seen by the Monster in Shark Horror Movies." Mise-en-scène: The Journal of Film & Visual Narration 3, no. 2: 1-15. Available Open Access.

"Playing Serial Imperialists: The Failed Promises of BioWare's Video Game Adventures" (co-authored with Vanessa Erat and Stefan Rabitsch). The Journal of Popular Culture 51, no. 6: 1476-1499. Available Open Access.

"Transgression - Identification - Interaction: Blu-Ray Bonus Features and Supernatural's Cult Status." The Journal of Popular Television 6, no. 3: 303-322.

2017

"Mark of the Auteur: Mark of the Devil's Blu-Ray Release and the Cult of Authorship." Cine-Excess 3: 131-148. Available Open Access.

2016

"When Dinosaurs Ruled the Earth? Digital Animals, Simulation, and the Return of 'Real Nature' in the Jurassic Park Movies." On_Culture: The Open Journal for the Study of Culture 2. Available Open Access.

2015

"Cooking with Hannibal: Food, Liminality and Monstrosity in Hannibal." European Journal of American Culture 34, no. 2: 97-112. Accepted Manuscript available on my Website.

2014

"The Great Arsenal of Democracy: Uncle Sam and American Exceptionalism at the End of the American Century." Arbeiten aus Anglistik & Amerikanistik 39, no. 1: 43-69. Available Open Access.

"'It's like Groundhog Day': Remediation, Trauma, and Quantum Physics in Time Loop Narratives on Recent American Television." GRAAT: An On-Line Journal of Anglophone Studies 15: 93-113. Available Open Access.

2013

"'A horror story that came true': Metalepsis and the Horrors of Ontological Uncertainty in Alan Wake." Monsters & the Monstrous 3, no. 1: 95-107.

2012

"Hauntings: Uncanny Doubling in Alan Wake and Supernatural." Textus: English Studies in Italy 25, no. 3: 63-74.

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